PATRICIA WELLINGHAM-JONES
       
 Patricia Wellingham-Jones has most recently been published in Tiger's Eye, Mφbius, 
 The Horsethief's Journal and Niederngasse. 

 She won the Reuben Rose International Poetry Prize (Israel).
 



               	TOUCH


	Reed slim behind the counter,

	red shirt casting a warm glow

	on his carved dark features,

	the young man waited

	with the other wait staff

	for the breakfast trade to arrive.



	I dined on scrambled eggs and diced ham.

	Alone, my eyes roamed idly, catching

	stray movements, not really spying.



	In the course of my meal

	I watched the tall young male

	lay hand on each woman worker:

	an arm around the waist

	of blonde ponytail, shoulder pat

	to middle-aged senora,

	hug and squeeze to the dark-haired

	hostess who squeezed him back.


	His index and middle fingers

	massaged the cashier's neck,

	mock arm punch rattled

	a sturdy young woman.



	I wondered at the outcry

	if I said loudly, Keep your hands

	to yourself, young man!

	Then pictured my tomcat

	marking territory at home.



	STRING FIGURES



	Traces of England in her voice,

	clever fingers weaving a spell,

	Audrey holds the fourth graders entranced.



	With strings of every thickness and hue,

	she makes more than cat's cradle:

	dragons swish tails, clock hands move,

	rabbits hop, a sword rises from stone.



	Eyes wide, children find their fingers

	gain skill after the first fumbles.

	All that year they make string figures

	at recess, in class, at home for siblings.



	Audrey's pea green jute bag, bought in 1969,

	is stuffed with wallet, keys, three balls of string.

	On the outside, depicting her poem, beige yarn

	forms a Siberian house, two fleeing people.



	Tucked in a sleeve, jammed in that pea green bag,

	trailed from a pocket, circling her wrist,

	the String Lady's loop of cord brings stories and songs,

	the children's own history, to vivid life.



	BIRTHDAY POEM TO MY SON



	My birthday comes tomorrow,

	yours trails one day behind.

	Swollen and gasping in my twenty-sixth winter

	I awaited the crowning of your fuzzy black head.

	All those years of loving, too few shared events,

	now you're in your middle years. We email.

	Cheery notes bounce against satellites,

	tales of bodily woe. When did I stop knowing you?

	Have you ever known me?



	PLAYING IN THE SPRINKLER



	The boy's footsteps, ragged

	as his t-shirt is torn, carry him

	through dandelions and bright summer grass

	to lean against a maple tree

	and watch. In the sprinkler

	two small children scream and splash.

	their mother, red hair flying,

	shorts damp from the play,

	beckons him to come join the fun.

	Black eyes pooled with pain

	in a mocha brown face, he edges

	near the spray. Flinches when water

	strikes his body. The mother

	catches the shudder,

	cups his chin, falls into his eyes.

	Show me, she whispers, voice gentle as feathers.

	his belly and chest seared black

	as hot dogs too long on a grill,

	the blistered skin peels away

	from  pink flesh. The mother

	sinks to the ground where water beads

	can't reach, cradles the burned child

	in loose arms. Tries not to drip

	salt tears on his seeping wound,

	sends her water sprites to the house

	for the cell phone.




	THAW



	Brain frozen as though in river ice,

	my pen an oar shoving against air,

	long weeks of ideas buried like old frogs

	in the mud of a village pond    then



	one morning I feel a stir

	deep in the bowl of my belly, cast

	my mental eye aside, afraid

	to scare it away



	and wait, breath held, for the subtle lift

	like air bubbles climbing stems

	of eel grass as one word, then another,

	breaks the water's skin



	and, like a hatch of mayflies,

	images explode.