The Phrenology of Painting
I have been trailing light fingers
over the surface of oils;
Following the landscape of uneven ridges.
Absent of colour these strokes
need to be art through other devices.
I am splaying my palms over textures
trying to detect the ripple of matter.
The brain that made this,
The creator identified in the created,
The smudged index of God
encoded in bone.
Here are my epiphanies;
Absence of vision is not darkness.
Absence of god is not emptiness.
I open my eyes
And take for granted.
Phil and Don
(for Chris Storey)
Brothers under our skinful,
cheerfully downing schnapps and cheap lager.
hurtling headlong into our gig
on porcelain french horns.
Us twin Dylan Thomasi,
arrogant Gemini,
Pissed as Romulus and Remus
wolfing magic mushrooms.
Too far starry
in dandelion days.
Me and you and George,
busking Beatles songs
outside of the 'Gamecock'
after I'd been thrown
out of the Conservative club
for kissing a woman
and pouring lager
over a union jack.
and you a failed lightweight
pinned by that fat committee man
making your own canned laughter
as he tried to punch your head off.
Those days are gone.
The Wind has dispersed our seed at fall
Our heads bobbing above the alcohol
that has flowed over our bridgework.
Two reprobates
with kids and debt.
but once we were
the Everly Brothers
of vomit.
Coffee and the corners of the heavens.
You must be careful what you say,
The strangest of seeds will take root,
You must be careful what you touch,
Some pieces of her are fragile.
I watch the way she moves, assured
Of her place under this heaven.
The way she stirs coffee, holds the spoon
Between indelicate fingers.
Surprising, considering her
Songs both strange and soul unfulfilled,
Yet rising like love in the heart
And moving me to her defence,
That all these creatures at her light
Do not notice these corners of night.
At Some Point in Time We Fractured
at some point in time fractured,
uncertain of which bones to break
we broke them all.
climbed walls
without fear
of falling.
at some point in time we fractured.
uncertain of which promises to break
we broke them all
and being unable to keep broken promises,
we made new ones.
Not all the king’s horses
nor all the king’s men
have our vanity.
Deborah Rah Rah Rah
When Debbie became Deborah
and traded in the low life for the high
the girls that weren’t invited to
her wedding stood on the quayside
and cried.
To wed a pop star is unlikely
to wed one of such magnitude
deserved applause
the wedding dress in ‘Hello’
just couldn’t be ignored.
When Debbie became Deborah
‘Cosmo’ did a feature on her car,
a gift from her dutiful husband
a far cry from the Bigg Market
for Deborah rah rah rah.
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